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Posts Tagged ‘Tamsin Greig’

I’ll admit that at first I wasn’t sure what I felt about this BBC mini-series, scripted by Sandy Welch. But now, after seeing all four episodes, I am well and truly won over – and looking forward to watching the whole thing again. I’d just like to know whether the region 2 DVD will have any special features, such as a commentary, behind-the-scenes film etc – Amazon doesn’t give any information on this, but does say it is all on one DVD, which makes me fear that perhaps there won’t be room for any extras.

Something I have enjoyed as the series developed is seeing the contrast in acting styles between Romola Garai as Emma and Jonny Lee Miller as Mr Knightley. Garai’s face and voice are always very expressive, vividly putting across what she is feeling or thinking at any given moment. By contrast, through most of the series there has been something deliberately understated and buttoned up about Miller – his body language and expressions are much quieter than Garai’s, and you often have to watch closely to see a fleeting glimpse of emotion before it is hidden again.

Tamsin Greig and Jonny Lee Miller

Tamsin Greig and Jonny Lee Miller as Miss Bates and Mr Knightley at Box Hill

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I’m sorry to be so late in saying anything about the second episode of the new BBC Emma, but I’ve had a frantically busy week at work and haven’t had time to string two words together! However, I have now managed to see the episode twice and, to be honest, have slightly mixed feelings about it. This will really just be a few disjointed thoughts rather than a proper review, as the time I have available is still quite short – I feel a bit like Miss Bates going over her latest letter from Jane, and will have to bring my thoughts into some sort of order at the end of the  series.

Romola Garai and Jonny Lee Miller

Romola Garai and Jonny Lee Miller

I am still enjoying the series and impressed by the beauty of the scenery and the whole world which has been created. I’m also impressed by the actors’ performances – especially Michael Gambon as Mr Woodhouse and Jodhi May and Robert Bathurst as the Westons – yet I feel increasingly that perhaps too much of Austen’s satiric bite has been lost, that the story has been softened too much round the edges. And yes, I do still miss the language of the novel. However, while feeling slightly disappointed at the moment, I remember having doubts about previous Sandy Welch adaptations and being won over in the end – her version of Jane Eyre is one of my favourite costume dramas of recent years, for all its departures from the book – so it may well be that her Emma will grow on me just as much.

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I’ve now seen the first episode of the eagerly-awaited new BBC adaptation of Jane Austen’s Emma starring Romola Garai and Jonny Lee Miller, slightly belatedly since I was working on Sunday evening.

Michael Gambon, Romola Garai and Jonny Lee Miller

Michael Gambon, Romola Garai and Jonny Lee Miller

I’ve actually watched it twice now –  initially I was impressed by the gorgeous costumes, sunlit green landscapes and chocolate-box houses, but disappointed that there seems to be little of Austen’s own language and above all her wit. However, I liked it better the second time, which I find is how I often react to adaptations of favourite novels. Screenwriter Sandy Welch’s previous adaptations include  Our Mutual Friend (1998) and Jane Eyre (2006) – I came to love both of these, but they took a time to grow on me, and I think the same might be true of her version of Emma. (The director of this version, Jim O’Hanlon, has directed many contemporary series for British TV, but I think this is his first historical drama, so I don’t recognise his style as yet. )

So far, I do like Garai as Emma – she gives the character a sort of mischievous, luminous quality, making her seem younger and more naive than I’d imagined her, but also making it believable that she can get so many people to do her bidding. I’m not so sure, yet, about Miller as Mr Knightley – he seems a little stuffy so far, and his remonstrating with Emma too often comes across as one-upmanship and nagging rather than the desire to bring out what is best in her.  Though maybe that is intentional, I suppose, and he will be shown changing later.

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